Malcolm Le Grice Movies

Film shadow performance. "First presented in 1971 using three 16mm projectors each with a short loop of changing colour. Projected onto the same...

Film performance, using a back projection screen as well as several projection sources, including a red and green source close together (requires 3D...

A white screen marked only by a scratch running across clear celluloid activates an intense perception of projection time. A double-projection work.

"My experience of Monet’s large-scale panoramic paintings of his water lily garden when I was about 14 years old became a crucial artistic...

A nostalgic exploration, comprising fragments of reworked 9.5mm home movie footage. The deterioration of the original film, like memories,...

Double projection. No images, only colour, first changing slowly in spectrum order, yellow, or red, purple, blue, green, yellow.. and in other...

A simple event becomes rhythmically complex through changes of speed and multiple superimposition. The title refers to the inevitable inclusion of...

A person walks backwards and forwards across two white screens casting a shadow, later his actual shadow is joined by pre-filmed shadows performing...

Digital Still Life was originally made for projection directly from an Atari computer. The same computer programme defines the image sequence, the...

This film was made by punching circular holes into fully opaque film stock and laying discs of colour film into some of the punched holes. Only the...

Four simple changing colour loops are projected continuously into the corners of a gallery space - a form of site specific film sculpture. film-loop...

A one-off performance, never repeated but led to Horror Film 1.

Osama Bin Laden – Britain and the USA in Iraq as through television reportage – camera only inches from the screen

Colour - Water –Rain – not a water colour – bougainvillea in extreme close-up – touching the lens – swimming pool below...

A double projection of images of lapping water and the Battersea Power Station all transformed by negative positive superimposition creating a moving...

A re-worked version of Your Lips 1 with multiple colour superimpositions. Originally shown with a soundtrack from computer artist Alan Sutcliffe but...

A digital manipulation exploiting the transcoding ‘mosaic’ of video shot on a train journey from Berlin to southern Germany with Mark...

This film is the beginning of an examination of the perceptual and conceptual structures which can be dealt with using pure colour sequences in loop...

Illuminated by two blank screens projected from empty slides, four performers read texts drawn from the history of cinema – a dictionary of...

From the earliest point when I started to make film one of the biggest influence on my way of thinking came from Franz Kafka. In particular the...