Matthias Müller Movies

There's a reason why many consider Iggy Pop the godfather of punk - every single punk band of the past and present has either knowingly or...

A man faces his approaching death. He takes a journey, his last perhaps, and ends up at the Pensão Globo in Lisbon, where he sets out on...

When a convicted felon fails to return from his prison leave and a young woman is found murdered, forensic psychiatrist Roman Mettler finds himself...

Nostalgic excerpts of fiction, fairytales and vintage science fiction from a child’s room to way out into the galaxy.

Muller/Girardet short

The film creates a melodrama inside seemingly claustrophobic mirrored cabinets. Like an anonymous viewer, the mirror observes scenes of intimacy. It...

BEACON is a montage of location shots filmed at ten different places around the world. These sites are connected by the fact that each is located by...

“A study of light.” (Christoph Girardet/Matthias Müller)

Combining close-ups of redundant technology gleaned from 60s US sci-fi television series with a female voice of a 40s Hollywood melodrama, Manual...

Brasília, the "city of hope", "the ultimate utopia of the 20th century" , is being conserved as a cultural heritage today. It is a place as...

As a couple awakens and rituals of breakfast unfold, war news headlines and radio radio broadcasts emerge in layers.

Matthias Müller's SLEEPY HAVEN is explicitly taking up the spirit of Kenneth Anger's FIREWORKS. SLEEPY HAVEN materializes fantasies of an erotic...

Composed of densely atmospheric and highly stylized recycled commercial footage of young, picture perfect models pleasurably applying personal...

The film comprises edited excerpts from 40 Hitchcock films in six chapters, each focusing on a different motif that reveals some of Hitchcock’s...

An early Super 8 collage experiment by Müller using found film reels and home‑movie fragments.

This is somebody, nobody, anyone. This is us in the course of time. Persistently, in vain. The self is the need for permanent self-assertion.

2001 film by Muller

Matthias Müller’s films are always about both the eternal and the volatile qualities of cinema. They exaggerate the unreality and clinical...

2002 short by Muller

A woman, a man, guests at an evening party. Settings, which are gradually abandoned; the remains of an event, gazes that have lost their object.