Bill Mousoulis Movies

A girls' own adventure - two girls enter a fictional landscape, affecting the course of events. A remake of Jacques Rivette's Celine and Julie Go...

A day in the mundane for two lonesome moviegoers. One an old veteran, the other a young devotee, both live in the ghosts of days gone by, observing...

A dance of impressions, of humans and animals and nature. Light and movement, music and silence, melancholy and laughter, Daddy-Long-Legs takes...

The faith of a heart and the faith of a look. A period in the life of a young Australian couple.

Dark, gothic, murderous.

A man arrives home from work and relaxes. Who is he?

A young woman, Emma studying at university and living at home with her mother and brother in the Adelaide suburbs, falls in love with a cafe waiter...

A man walks the streets of Melbourne, which looks very New Yorkish.

Super. Eight. High. Sky. Miles. Super Eight. Miles High. Birds in the Sky. Byrds on High. A Doco of the corner of Smith & Greeves Sts., Fitzroy,...

The real-life home exploits of Mary Mousoulis.

From the Australian underground comes a dynamic gothic original. Z and X are vampires bound by love and driven by their lust for blood. Together they...

A love poem, set to Big Star's song "Thirteen".

A document of various '45's, various 'singles'. Bill, Eléni, and George. Diary film? Documentary film? Fiction film? All this and more, in the...

Various shots of streets, and Mousoulis household.

An Italian cinematographer finds himself in the midst of the Greek social turmoil. Opening sequence from the feature film Wild and Precious (2012).

Jarman was blue. Mousoulis is green.

A bicycle seat. A roof. A car park. Light. Shadow. The aperture control. Piano. Synthesizer. Delay effects. A sci-fi/horror fantasy ... the shadows...

A high school student, heartbroken, considers suicide.

A look back at the film-maker's career, via the use of out-takes, unused scenes, scenes from uncompleted films, home movie footage, etc.

I want the one I can't have, and it's driving me mad. It's all over, it's all over, it's all over my face.